11.20.2011

Brut - Brut


Brut send us their latest album from Montreal, Canada. They plays dark, furious and metallic 34% Crust, 33% Hardcore and 33% Sludge. As my neighbour from Forever Cursed say, this is a grat sound track for the rage and impotence we fell in these days, police bastards, stupid people... today in my country is Election Day. For What?, for nothing, for business as usual, fucked politicans, least I have good soundtrack whit this album.


11.15.2011

Wolves in the Throne Room - Celestial Lineage

It has been 8 years since Wolves in the Throne Room’s much mythologized genesis. Over the course of 3 studio albums and hundreds of live performances the band has slowly boiled away the prima materia of Black Metal to distill a unique essence.

The transmutation reaches a new level with the completion of Celestial Lineage the clans’ new Astral Black Metal document. In contrast to the bleakly hypnotic architecture of 2008’s Black Cascade, Celestial Lineage expands into a more expansive and visionary territory. Although it is obviously inspired by European Black Metal, Wolves in the Throne Room create music that is intensely local in it’s orientation. Certainly, Celestial Lineage is a manifestation of the northwestern landscape, but it also arises out of an underground West Coast tradition formed by successive generations of psychic crusaders: Theosophists, beatniks, the Grateful Dead, Neurosis, the back-to-the-land movement, satanic hippies, tree-spiking anarchist punks. The resulting music invokes a misty dream world. Rain drenched specters looming at the edge of the wood. Echoes from the Astral Plane. Ancient cedar deities robed in moss. A glimpse of a bronze-domed temple among the firs. Celestial Lineage was written and recorded over the course of the first six months of 2011.

The Weaver brothers worked with Producer/mystic Randall Dunn (Earth, Boris, SUNN 0))), Cave Singers, Bjork/Omar Souleyman), with whom the band has developed a close relationship since their first collaboration on 2007’s Two Hunters. 3 songs are bejeweled by Jessika Kenney’s liturgical choir and solo voice. Aaron Turner (ISIS) also contributes orations to the maelstrom.

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Sarabante - “Remnants

Sarabante is a hardcore/crust band from Athens, Greece. “Remnants” is the bands debut release. The band was brought to the attention of Southern Lord by Brad Boatright of From Ashes Rise. This makes perfect sense as Sarabante has a similar burning intensity that can be heard from those legends. One of the primary focal points of the group is their consistent execution of infectious melodies. This cd is limited to 1,000 machine numbered copies. For fiends of: Tragedy, From Ashes Rise, Neurosis.

Xibalba - Madre Mia Gracias Por Los Dias


Xibalba from Southern California effectively fuse death metal influences like Sepultura and Obituary with more modern and 90’s hardcore as well a healthy dose of Crowbar! Xibalba’s downtuned, heavy as fuck music is a SEVERE force to reckoned with. The old world influence is only evident to the trained eye, but Xibalba gives nods not only to the hardcore bands they were raised on, but to the culture which spawned them. Xibalba not only know their roots, but make sure you won’t forget them either. The Madre Mia Por Los Dias cd contains not only the s/t debut album from Xibalba but also the material from the Earthquake comp cd.

Alpinist-Lichtlaerm-Minus.Mensch


ALPINIST are from Munster Germany, and produce crushingly dark hardcore/crust played with blinding intensity. The band is meant to be understood by those who are sick of following musical trends, those who want to live out music with dedication and those who believe in expressing their own ideals through their own art. Alpinists’ socio-political lyrics are openly and strongly against all forms of fascism, racism, sexism and homophobia. The disc contains both of the band’s albums that were previously only available on limited vinyl releases, making this the first ever CD release from ALPINIST.

11.11.2011

COMITY † The Journey Is Over Now

Fear of musical routine. Will of pushing back boundaries with a classical rock instrumentation. Astounding violence executed in one of the most distinguished ways. Incredibly meticulous attention to detail. With so much selection criteria, very few could pull this all off whilst harnessing a consistent sound. And if there’s one band that has always sweat blood and water to access there in the midst of bands like Starkweather, Breach, Today Is The Day, Neurosis, Oxbow and Converge, then it’s without a doubt COMITY. A more than deserved sacrament after fifteen years of a spanner thrown in the works, between disillusions, line-up & record label issues amongst many other aborted plans - going as far as making them momentarily give up in 2007. COMITY have behind them fifteen years of noise and incredible live performances (with The Dillinger Escape Plan, Converge, Cave In, Today Is The Day…) not to mention a discography with a fascinating progression which propel the band to the rank of one of France’s biggest glories at the release of their second album “As Everything Is A Tragedy” in 2006.

11.09.2011

SOFY MAJOR side:
1. Ruin it All (hd MP3)
2. Doomsayer & Friends
3. Some more Pills
4. Once was a Warrior (fan my flame and I'll still be one)
MEMBRANE side:
1. Gruesome Tale (hd MP3)
2. Small Fires
3. Lifeless Down on the Floor

SOFY MAJOR
Recorded by Laurent Saussol at Studio Palissy in July 2011.
Mixed by Andrew Schneider at Translator Audio.
Mastered by Nick Zampiello and Rob Gonnella at New Alliance East.
Once was a Warrior lyrics and growls by Xavier Theret.

MEMBRANE
Recorded, and mixed by Yann Morel, Sébastien Déscamps at Studio Cube in July 2011.
Mastered by Nick Zampiello and Rob Gonnella at New Alliance East.
http://www.cube-studio.com

Read more:http://vinylcollective.proboards.com/index.cgi?board=general&action=display&thread=69952#ixzz1dEjvsMAB


11.03.2011

Big Sexy Noise - Trust The Witch


Jusqu’ici je n’ai guère été charitable avec Lydia Lunch et son groupe Big Sexy Noise. Leur premier album sans titre me semble aujourd’hui toujours aussi bancal, pauvre parfois et sans grand intérêt sur les trois quarts de ses titres. Un vrai pétard mouillé. Le Son Du Maquis a choisi de publier Trust The Witch (« fais confiance à la sorcière »), le tout nouvel album de Big Sexy Noise non sans avoir entretemps réédité, comme il convenait de le faire, 13 13, le chef d’œuvre absolu de Lydia Lunch. L’appréhension refait naturellement surface mais l’envie d’écouter également. Alors allons-y.
Première constatation : le line-up de Big Sexy Noise est toujours le même, à savoir Lydia Lunch au chant et aux textes, James Johnston à la guitare, Terry Edwards à l’orgue et au saxophone ainsi que Ian White à la batterie. Et on pense toujours que les trois musiciens de Gallon Drunk sont bien ce qui peut convenir de mieux comme backing band à Lydia Lunch à l’heure actuelle. Toutes les compositions sont signées Lunch/Johnston – alors que sur le premier album il y avait des reprises pas toujours très heureuses (Lynyrd Skynyrd !) – et, effectivement, le niveau général de Trust The Witch s’en ressent automatiquement, de même qu’un sentiment d’unicité certain. Trust The Witch se révèle rapidement quelque peu supérieur à tout ce que Big Sexy Noise a pu enregistrer jusqu’ici, ce qui n’était pas bien dur au départ, on ne peut donc pas dire cela constitue un exploit.

10.25.2011

DEADBEAT -Demo


Finger Print - Discography

The Finger Print discography is getting harder to find, so I did some digging. With a little window cleaner my old scratchy copy of the CD made for some good ripping. As far as my personal canon goes, Finger Print were one of the delectable treats that lured me into the rabbit hole of nineties hardcore. Things would never again be the same for me, and I rather like it that way. Claw your way through the tangle of FP's jack-hammering drums, metallic dissonance, winding melodies, and curdling screams, and you'll find four regular guys, hacking their own rambling and fugitive path to the same vague place you hope to one day end up too. Like many acts of the decade, their path went somewhere inward, exploring the place of the individual among the shape-shifting and ghoulish menagerie of the political realm. Whether or not they ever found what they were looking for, I cannot say, but this 19 track document suggests to me that the journey was well worth it. There's nary a single throw-away (other than the awfully recorded live tracks at the end), and unlike many hardcore discographies, I am always riveted by this one from beginning to end. Speaking of the end, the final three studio tracks revealed a slightly new direction for the band, smoothing the jagged metallic edges to more elegant contours. Members would continue in this direction in the band Jasemine, who sadly only released four songs.

10.10.2011

Hot Potato Syndrome-Come War Ghost

Yeah,this is how the story goes...When an idea begins,nothing can stop the force of it. Hot Potato Syndrome are the members of different bands from the city of Athens (Gr) who came together and decided to explore the call of the wild and the mentality of those who succumb to it.A music place where one can quite possibly find one's self,but also discovering the dark possibility that we might find our own strange nature,working always as a team. What about follow us in the groove side of our musical experience................
We sound like sharing a smoke of chocolope under a cactus in the desert of Nebada,fighting for peace in the Lacandon Jungle.

10.06.2011

Tree Of Sores Tree Of Sores


Leeds 3 piece, taking influences from the doomy atmospherics of Neurosis, an underbelly of crust care of Amebix, and an air of recklessness favoured by the likes of Eyehategod.

The band create a vibe that is heavy, dark and ambient, with tortured male/female vocals, and a mission to take you to a frightening place.

10.05.2011

The Phoenix Foundation - No Love Lost

4th full lengh of Finlands PHOENIX FOUNDATION continiues with a row of HUSKER DU influenced melodic punk rock that comes again very solid and well done. The theme is again on the melancholic side of "things" and itä's not a record you listen to when you just have a good time. Maybe more the opposite. I love it. - Artwork is amazingly simple but beautyful. Crafted by Mr John Yates at Stealworks.

Descarados - El canto de los humildes

Latino anarcho emo punk

10.04.2011

Crone - Endless Midnight

CRONE representa la incursión de (Jeff Caxide (Ex-ISIS) en paisajes sonoros ambientales, del proyecto unos meses en la toma de que fue inspirado en parte por más de una década realizando en todo el mundo. Con contribuciones de algunos amigos de edad y la influencia de la elaboración de la ficción y el cine tanto como luminarias sonora Tangerine Dream y Vangelis, Endless Midnight es seguro a la banda sonora de su vida en su más apático y melancólico. La oscuridad de un viaje de DMT. La sensación de temor y asombro que sólo el mejor cine de ciencia ficción puede provocar ...
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